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Doki Doki Literature Club! is a 2017 American visual novel developed by Team Salvato for Microsoft Windows, macOS, and Linux. The game was initially distributed through itch.io, and later became available on Steam. The story follows a male high school student who joins the school's literature club and interacts with its four female members. The game features a mostly linear story, with some alternative scenes and endings depending on the choices the player makes. While the game appears at first glance to be a lighthearted dating simulator, it is in fact a metafictionalpsychological horror game that extensively breaks the fourth wall.

The game was developed in an estimated two-year period by a team led by Dan Salvato, known previously for his modding work for Super Smash Bros. Melee. According to Salvato, the inspiration for the game came from his mixed feelings toward anime, and a fascination for surreal and unsettling experiences. Upon its release, Doki Doki Literature Club! received positive critical attention for its successful use of horror elements and unconventional nature within the visual novel genre.

• 2Plot

Gameplay

Doki Doki Literature Club! is a visual novel. As such, its gameplay has a low level of interactivity and consists of scenes with static two-dimensional images of characters in a first-person perspective. The narration and dialogue are presented in the form of accompanying text. The narration is provided by the game's protagonist, a member of the titular literature club, to which he was invited by his childhood friend Sayori.^[3][4][5] At certain points, the player will be prompted to make decisions that determine the course of subsequent events. Such decisions affect the development of the protagonist's relationships with the key female characters Sayori, Yuri, Natsuki, and Monika.^[6] The characters' interactions with the protagonist are also influenced by a minigame in which the player is required to compose a poem from a set of individual words. Each girl in the literature club has different word preferences, and will react positively when the player picks a word that they like.^[3][4][5][6] The characters' reactions are represented by chibi versions of the characters that are displayed at the bottom of the screen during the minigame.^[3] Depending on the results of these minigames, the player can enable additional scenes with the character to whom the poem was dedicated.^[5][6] The narrative is divided into three acts, between which the player must restart the game.^[7] At a certain point, the player must access the game's files in order to advance the narrative.^[8]

Plot

The protagonist is invited by his cheerful childhood sweetheart, Sayori, to join their high school's literature club as a remedy for his insular nature.^[3][4][5] The protagonist reluctantly agrees to her proposal and meets the other members of the club: the assertive Natsuki, the shy Yuri, and the bubbly club president Monika.^[3][5][6][9] The protagonist writes and shares poems with his new club-mates and deepens his relationships with them. As the club prepares for the school's upcoming cultural festival, Sayori reveals to the protagonist that she suffers from depression and confesses her love for him.^[10] The following day, Monika passively shows the protagonist an uncharacteristically morbid poem by Sayori that insistently orders someone to get out of her head. Realizing that something has happened to her, the protagonist rushes to Sayori's home, where he discovers that she has hanged herself, and the game abruptly ends.^[7][10]

The player is sent back to the main menu, with all previous save files erased.^[11] The narrative repeats upon the start of a new game, but Sayori is glaringly absent; her name and dialogue are rendered illegible, and the characters do not remember her existence. In addition, the character sprites appear corrupted from time to time.^[10][12] Monika takes Sayori's place in inviting the protagonist to the club. Aside from the game's frequent distortions, the normally calm and shy Yuri becomes gradually unstable, possessive and prone to self-harm.^[7] Yuri's decline in sanity culminates in the act of giving the protagonist a 'poem' that is indecipherable and covered in blood and other bodily fluids. When Monika seems to be callously dismissing this anomalous behavior, Natsuki secretly passes the protagonist a message under the guise of a poem that begs him to seek help for Yuri, only to be immediately manipulated into telling the protagonist to disregard the message and devote his attention solely to Monika. After a heated quarrel over who the protagonist will help with the school festival, Yuri ejects Monika and Natsuki from the room and privately confesses her love for the protagonist. Whether or not the protagonist accepts Yuri's confession, she commits suicide by repeatedly stabbing herself.^[10] Due to the game's broken script, the protagonist is stuck motionless in the room with Yuri's decaying cadaver over the course of a weekend. Natsuki returns upon the weekend's conclusion, but is horrified and nauseated by the sight of Yuri's body and flees the scene. Monika appears and apologizes to the protagonist for the 'boring' weekend he had spent, and begins a display of compensation by deleting Yuri and Natsuki's character files from the game and sending the player back to the main menu.^[7]

A new file is started automatically, and the protagonist is placed in a room with Monika seated across from him. Monika reveals that she is a self-aware video game character who has the ability to manipulate and delete other character files, which she used to alter the behavior of her club-mates in an unsuccessful bid to make them unlikable and prevent their confessions of love to the protagonist. She expresses her loneliness from being relegated to a fruitless supporting role within an empty world where her only company had been 'autonomous personalities' designed only to fall in love with the protagonist, and she confesses her own love not to the protagonist character, but directly to the player.^[7][10] Monika will sit and talk to the player indefinitely about various topics until the player manually enters the game's directory and deletes Monika's character file. Monika initially lashes out at the player, but ultimately forgives them and remorsefully repents by restoring the game and the characters excluding herself.

Endings

Depending on the course of action taken by the player, the game can come to three possible conclusions. The standard ending sees Sayori introducing herself as the president of the literature club and thanking the player for getting rid of Monika. As she adopts Monika's possessive characteristics, Monika intervenes via text prompt and deletes Sayori to save the player. Monika deletes the game over the course of the credits, and the game concludes with a note from Monika, stating that she has disbanded the literature club because 'no happiness can be found' in it.^[7]

A more positive ending occurs if the player has viewed all of the optional scenes in a single playthrough, which requires saving and loading at several points before witnessing Sayori's initial suicide.^[13] Sayori instead expresses her gratitude to the player for emotionally supporting all the club members, tearfully bids farewell and assures the player that all the club members love them before deleting the game herself. After the credits, the player is presented with a message from the game's developer, Dan Salvato.^[14]

If the player preemptively deletes Monika's file from the directory before starting the game, Sayori is made the default leader of the club. Upon realizing the true nature of the game and her role in it, Sayori panics and forcefully closes the game. Opening the game again will display an image of Sayori having hanged herself. If this image is left on screen for ten minutes, a line of text will appear next to Sayori's corpse reading: 'Now everyone can be happy.'^[13]

Development and release

Doki Doki Literature Club was developed by American programmer Dan Salvato over the course of approximately two years, and is his debut title in the video game industry.^[15] Prior to its release, Salvato was known for creating the FrankerFaceZ extension for Twitch.tv,^[15] his modding work in the Super Smash Bros scene,^[16] and for his custom Super Mario Maker levels.^[17][18] Salvato was inspired to create a visual novel by his 'love-hate relationship' with anime, and emphasized the abundant use of clichés in the genre and the frequent plots centering around 'cute girls doing cute things', which he saw as both an asset and a detriment to the viewer's enjoyment. Salvato sought to create a title that would attract the player's attention regardless of how they personally view anime.^[15]

Discussing the horror elements of the game, Salvato explained that he was inspired by 'things that are scary because they make you uncomfortable, not because they shove scary-looking things in your face.'^[15] To achieve this, Salvato developed the façade of a cute setting, which would break down over time along with the behavior of the characters, and eventually the role of one evil character who had seized control of the game from the player would be revealed. In creating the game's horror elements, Salvato drew inspiration from Yume Nikki and Eversion, and emphasized to his team that he wanted the market for visual novels to become much more daring and less reliant on the same plot concepts.^[19] The game's characters were based around standard anime archetypes and were given Japanese names to emphasize a pseudo-Japanese atmosphere characteristic of Western-produced visual novels. The sole exception to this format is Monika, who received an English name as a hint to her individual nature compared to the other characters.^[20]

Because Salvato lacked artistic skill, he used a free online anime-creation program to create the initial character designs and applied these designs in test versions of the game.^[21] Salvato recognized that a product of such quality would not satisfy potential players,^[21] so he made a request to his friend, a translator for Sekai Project, for sketches of school uniforms and hairstyles for the characters.^[22] Salvato then handed initial visual development over to Kagefumi, who left the project very early on. After Kagefumi's departure from the project, Salvato contacted the freelance artist Satchel, who created the final character sprites, over the course of a few months.^[23] The sprites were created in several parts to give the poses more variety.^[24] The background images were originally created as three-dimensional models, and then processed by the artist VelinquenT.^[25]

Salvato also composed the game's score.^[26] The introductory composition, 'Doki Doki Literature Club!', is primarily performed by piano and flute with accompaniment by string instruments. The composition 'Okay, Everyone!' has five different versions, four of which are performed by different musical instruments that represent each of the four female characters. Monika's version emphasizes the piano, Yuri's version uses pizzicato and harps, Natsuki's version is played by xylophone and recorder, and Sayori's is played by ukulele. The game's score is generally calm and serene with the exception of two tracks, 'Sayo-nara' and 'Just Monika', which are ominous in tone.^[27] 'Your Reality', a vocal song performed over the end credits, is sung by Jillian Ashcraft.^[26]

Doki Doki Literature Club! was first released on September 22, 2017 on itch.io, and was later also released on Steam.^[28] The game is available as freeware with an optional pay what you want model. Paying US$10 or more unlocks a bonus 'Fan Pack' that includes desktop and mobile wallpapers, the game's official soundtrack, and a digital concept art booklet.^[29] The game's soundtrack was released on two compact discs respectively consisting of 15 and 10 tracks. The first CD contains all the main compositions of the game, while the second consists of remixes and alternative arrangements.^[27] The soundtrack saw another release on 'crimson smoke' vinyl in the first quarter of 2019.^[30]

Reception

In its first three months of release, Doki Doki Literature Club! was downloaded over one million times,^[36] and exceeded two million downloads about a month later.^[37] The game was received positively by critics, and accumulated a score of 78/100 on Metacritic based on 7 reviews.^[31]

Steven T. Wright of PC Gamer described the game as 'a post-modern love letter to the genre it represents', and compared its deconstructive quality to Undertale and Pony Island.^[4] Robert Fenner of RPGFan noted that traditionally, major visual novel developers such as Key and 5pb. produced lengthy day-by-day narratives of a standard anime protagonist's relationships with their supporting cast. According to Fenner, previous attempts to revise the format, such as Hatoful Boyfriend and Higurashi no Naku Koro ni, could not escape the conventions of their genre and fully reveal their dramatic potential. He then declared that Doki Doki Literature Club! had succeeded in this field by making unusual use of the Ren'Py engine and providing unexpected plot twists.^[3]

Reviewers emphasized that the game achieves its surprising impact on the player due to its outward resemblance to typical eroge games: it has a pronounced anime style in its character design,^[3][8] and the game's goal is to develop a relationship with one of the characters.^[11][12] In addition, the characters consist of anime stereotypes whose behavior is sparsely displayed through their sprites,^[5] and the game's musical accompaniment is light, bouncy, gentle and playful.^[3][4] According to critics, these aspects combined to create the impression of a standard visual novel that would prompt the player to become attached to the characters.^{[4][5][8][12]} VisualNovelist of Jeuxvideo.com positively compared the game's visual quality to Everlasting Summer, another independent visual novel with the appearance of a professional production.^[32] Reviewers pointed out that the game's horror was built on the destruction of a sense of control over what happens in the game and the feeling of helplessness that stems from the distortions in the game's world.^[8][11] Victoria Rose of Polygon stated that this approach was strikingly different from traditional horror games and films, where the viewer remains alienated from what is happening on the screen.^[11] Amy Josuweit of Rock, Paper, Shotgun noted that while earlier visual novels have broken the fourth wall by crashing the client or adding extra files, Doki Doki Literature Club! changed the angle by deliberately destroying files rather than adding them.^[8]

GQ's Tom Philip commented that at times the narrative felt like 'a slog, clicking through endless amounts of inane, flirty conversation about poetry.'^[38] Fenner opinied that the game did not pass the Bechdel test and positioned the protagonist as a seductive casanova. However, he emphasized that the plot is ultimately a 'sharply aware polemic against harem anime/visual novels' in which 'the lengths the ladies go to are not wholly because of the protagonist, but rather he can be read as a symptom—an easy outlet.' Fenner also felt that the game, like Katawa Shoujo before it, 'appears to veer dangerously close to fetishization of very real issues'.^[3] Nevertheless, reviewers recognized the game's plot focus as successful and relevant.^[3][4][5]

At IGN's Best of 2017 Awards, the game won the People's Choice Award each for 'Best PC Game',^[34] 'Best Adventure Game' (for which it was also a runner-up),^[39] 'Best Story',^[40] and 'Most Innovative'.^[41] The game won the 'Matthew Crump Cultural Innovation Award' and was nominated for 'Trending Game of the Year' at the 2018 SXSW Gaming Awards.^[35][42]EGMNow ranked the game 16th in their list of the 25 Best Games of 2017.^[43]

References

1. ^https://twitter.com/_Satchely/status/1135187349372047360
2. ^https://twitter.com/_Satchely/status/1134951398624432130
3. ^ ^abcdefghijkFenner, Robert (December 24, 2017). 'RPGFan Review—Doki Doki Literature Club'. RPGFan. Archived from the original on October 6, 2018. Retrieved February 5, 2018.
4. ^ ^abcdefgWright, Steven (October 26, 2017). 'Doki Doki Literature Club! hides a gruesome horror game under its cute surface'. PC Gamer. Archived from the original on October 27, 2017. Retrieved October 26, 2017.
5. ^ ^abcdefghiClarke, Billy (February 14, 2018). 'Doki Doki Literature Club Review'. GameGrin. Archived from the original on June 13, 2018. Retrieved March 30, 2019.
6. ^ ^abcdTamburro, Paul (November 28, 2017). 'Trust Me, You Need to Play Doki Doki Literature Club'. GameRevolution. Archived from the original on January 9, 2018. Retrieved March 30, 2019.
7. ^ ^abcdefFujita, Shōhei (March 4, 2018). '【完全ネタバレコラム】世界を大いに盛り上げる「Doki Doki Literature Club」の真の目的と少女たちからの救難信号' (in Japanese). IGN Japan. Archived from the original on June 26, 2018. Retrieved March 30, 2019.
8. ^ ^abcdeJosuweit, Amy (October 31, 2017). 'Doki Doki Literature Club is a hidden horror game for the internet age'. Rock, Paper, Shotgun. Archived from the original on October 25, 2018. Retrieved October 31, 2017.
9. ^Couture, Joel (October 13, 2017). 'Get to Know Your Fellow Lovers Of Writing With Doki Doki Literature Club!'. Silicon Era. Archived from the original on August 16, 2018. Retrieved October 18, 2017.
10. ^ ^abcdeLineham, Mitch Jay (February 16, 2018). 'Doki Doki Literature Club is a visual novel worthy of a Black Mirror episode'. PCGamesN. Archived from the original on October 5, 2018. Retrieved March 30, 2019.
11. ^ ^abcdRose, Victoria (October 22, 2017). 'Doki Doki Literature Club is an uncontrollably horrific visual novel'. Polygon. Archived from the original on October 23, 2017. Retrieved February 6, 2017.
12. ^ ^abcJackson, Gita (October 11, 2017). 'Doki Doki Literature Club Scared Me Shitless'. Kotaku. Archived from the original on October 31, 2018. Retrieved October 18, 2017.
13. ^ ^abPayne, Jamie (December 7, 2017). 'Doki Doki Literature Club: How to Get All Endings'. Twinfinite. Archived from the original on October 2, 2018. Retrieved March 30, 2019.
14. ^Bell, Larryn (January 3, 2018). 'Doki Doki Literature Club: How to Get the Best Ending, Fulfilling Ending'. AllGamers. Archived from the original on October 2, 2018. Retrieved March 30, 2019.
15. ^ ^abcdJackson, Gita (October 20, 2017). 'Doki Doki Literature Club's Horror Was Born From A Love-Hate Relationship With Anime'. Kotaku. Archived from the original on October 21, 2017. Retrieved October 29, 2017.
16. ^Good, Owen (September 13, 2015). 'Powerful mod adds replay feature to Super Smash Bros. Melee'. Polygon. Archived from the original on June 26, 2018. Retrieved October 18, 2017.
17. ^Blain, Louise (October 9, 2015). 'P is for Pain is the new contender for Mario Maker's hardest level'. GamesRadar. Archived from the original on June 26, 2018. Retrieved October 18, 2017.
18. ^'Eversion-Inspired Super Mario Maker Level Uses Doors In An Ingenious Way'. Silliconera. September 21, 2017. Archived from the original on June 26, 2018. Retrieved October 18, 2017.
19. ^Salvato, Dan (2017) Doki Doki Literature Club! Concept Art Booklet, p. 3
20. ^Salvato, Dan (2017) Doki Doki Literature Club! Concept Art Booklet, p. 4
21. ^ ^abSalvato, Dan (2017) Doki Doki Literature Club! Concept Art Booklet, p. 5
22. ^Salvato, Dan (2017) Doki Doki Literature Club! Concept Art Booklet, p. 11
23. ^https://twitter.com/_Satchely/status/1135187349372047360
24. ^Salvato, Dan (2017) Doki Doki Literature Club! Concept Art Booklet, p. 18
25. ^Salvato, Dan (2017) Doki Doki Literature Club! Concept Art Booklet, p. 20
26. ^ ^abTeam Salvato (September 22, 2017). Doki Doki Literature Club!. Windows. Level/area: End credits.
27. ^ ^abGaspar, Marcos (September 22, 2017). 'Doki Doki Literature Club! OST'. RPGFan Music. Archived from the original on October 8, 2018. Retrieved March 30, 2019.
28. ^'Doki Doki Literature Club! on Steam'. Valve Corporation. Archived from the original on September 7, 2018. Retrieved October 18, 2017.
29. ^'Doki Doki Literature Club Fan Pack on Steam'. Valve Corporation. Archived from the original on March 31, 2019. Retrieved October 18, 2017.
30. ^Estrada, Marcus (September 19, 2018). 'Doki Doki Literature Club Soundtrack Coming to Vinyl'. Hardcore Gamer. Archived from the original on October 8, 2018. Retrieved March 30, 2019.
31. ^ ^ab'Doki Doki Literature Club! for PC Reviews'. Metacritic. CBS Interactive. Archived from the original on February 15, 2018. Retrieved February 21, 2018.
32. ^ ^abVisualNovelist (November 19, 2017). 'Test : Doki Doki Literature Club : ne jamais se fier aux apparences' (in French). Jeuxvideo.com. Archived from the original on February 27, 2018. Retrieved April 1, 2019.
33. ^Chick, Tom (January 18, 2018). 'The first rule of Doki Doki Literature Club is not to talk about Doki Doki Literature Club'. Quarter to Three. Archived from the original on October 6, 2018. Retrieved April 1, 2019.
34. ^ ^ab'Best of 2017 Awards: Best PC Game'. IGN. December 20, 2017. Archived from the original on June 12, 2018. Retrieved January 2, 2018.
35. ^ ^abIGN Studios (March 17, 2018). '2018 SXSW Gaming Awards Winners Revealed'. IGN. Archived from the original on March 18, 2018. Retrieved March 18, 2018.
36. ^Barnett, Brian (December 11, 2017). 'Doki Doki Literature Club Hits 1 Million Downloads'. IGN. Archived from the original on December 16, 2017. Retrieved December 16, 2017.
37. ^Jones, Ali (January 15, 2018). 'Doki Doki Literature Club! surpasses two million downloads'. PCGamesN. Archived from the original on August 28, 2018. Retrieved January 15, 2018.
38. ^Philip, Tom (October 19, 2017). 'Doki Doki Literature Club Is the Most Messed Up Horror Game You'll Play This Year'. GQ. Archived from the original on June 12, 2018. Retrieved October 19, 2017.
39. ^'Best of 2017 Awards: Best Adventure Game'. IGN. December 20, 2017. Archived from the original on December 23, 2017. Retrieved January 2, 2018.
40. ^'Best of 2017 Awards: Best Story'. IGN. December 20, 2017. Archived from the original on January 1, 2018. Retrieved January 2, 2018.
41. ^'Best of 2017 Awards: Most Innovative'. IGN. December 20, 2017. Archived from the original on January 2, 2018. Retrieved January 2, 2018.
42. ^McNeill, Andrew (January 31, 2018). 'Here Are Your 2018 SXSW Gaming Awards Finalists!'. SXSW. Archived from the original on February 2, 2018. Retrieved February 2, 2018.
43. ^EGM staff (December 28, 2017). 'EGM's Best of 2017: Part Two: #20 ~ #16'. EGMNow. Archived from the original on June 12, 2018. Retrieved January 14, 2018.

External links

• Official website
• Doki Doki Literature Club! at The Visual Novel Database

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“Pay me no mind. I’m here but I’m not here. I have an assignment due in 20 minutes.” When we catch up at a coffee shop in mid-December, Sydanie Nichol is almost finished with her first semester of media communications at Toronto’s Humber College. The 25-year-old may be a self-proclaimed rap supermom, but she’s also a student with a paper to hand in. In a shifting landscape continuing to push female voices to the forefront, Sydanie’s DIY spirit is par for the course. Born to Jamaican and Trinidadian parents in Toronto’s Jane & Finch neighborhood, her music is as political as it is club-ready, tackling the complexities surrounding her identity as a queer single mother from one of the city’s most vilified areas.

After a stint supporting Polaris Prize-winning artist Lido Pimienta on tour and her own slots at festivals like POP Montreal, Sydanie returned to the city with more under her belt — and even more to prove. On her latest album 999, she blends earnest lyrics, a spitfire flow, and pulsing electro-house with ease, but her musical dexterity didn't always come to her so easily. “I started rapping back in high school for fun and took it more serious as shit in my life became more complicated,' she explains. 'When I wasn't running away from home, I'd smoke and record verses with my best friend Wryder in his bedroom after school.” Developing lyrical prowess in the face of trauma is a cornerstone of hip-hop, and music kept the young rapper grounded as she bounced around group homes, switched schools and became a mother at the age of 20.

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Following the release her first project Public Intoxication in 2012, Sydanie gave birth to her daughter Kifaaya, now a ball of boundless energy she brings along to most of her studio sessions and performances. Sydanie doesn’t shy away from regularly reminding collaborators and event producers of her long-held personal proverb: I’m bringing my yute. “Having my rollie with me is an important part of my silent protest,” she tells me. “Besides, inaccessible art spaces made just for skinny, childless, racially ambiguous people with money are boring.” Sydanie’s desire for these complex spaces lead her to create Liquid Gold, an event series named after the nutrient-packed milk produced in the first few days of breastfeeding and meant to put the spotlight on creatively-inclined mothers of color. “It’s about just allowing Black women to exist and not be considered irresponsible or bad moms for doing what they do.”

Talent and teenage tenacity would bring her work to the pages of school district-backed anthologies and on stage at community events like RISE and Freedom Fridayz, performing as Sydti Spittah (“Thank God I changed my name!”) and winning local rap competitions in the process. Like many young artists, she initially gravitated towards the neat image and genre boxes she’s since stepped out of. “I've never articulated this out loud, but I didn't necessarily feel I like I had a lot of room in terms of branding options as a dark-skinned woman,” she tells me.

Sticking close to the city’s close-knit conscious circle of poets, artists, and community organizers, Sydanie knew her earlier iterations captured her raw takes on love, motherhood, and growing pains, but didn’t fully speak to her identity. “When I first started rapping [the choices were] literally sexy hood girl or head-wrap peace queen, so I chose the latter,” she explains. “And in the the conscious community, I never really identified as queer or bisexual even though I came out when I was in high school. But then that started to break down.”

On 999 — named after the building she grew up in and representing the culmination of a half-decade of work — Sydanie explores not only her relationship with herself, but the one with the world around her; towing the line between working through trauma and working up a sweat. She makes the painful danceable. “I sometimes feel too attached to my content because I’m always considering the weight of my work,” she tells me while referring to difficult-to-broach subjects ranging from sexual assault, homelessness and the realities of raising a child on her own. 'I used to sleep in the T9 laundromat / Now they fly me out and pick up me and put me up,” she spits triumphantly on “778.”

Above all, Sydanie's relationship with her neighbourhood is a central part of her persona; her stage shows, peppered with growling turf reminders of her west end roots and call backs to her Caribbean ones, sticking out among the sea of sad-boy raps that populate so much of the city’s musical output. 'I'm a jerk bitch, real spicy / cold Ting going down nicely / southside getting live nightly,' she raps over a thumping bassline on “200K”. “I'm very ‘niche-sounding’, but where my brand doesn't necessarily fit the downtown scene, my music does,” she ruminates on her music’s blend of hip hop, house and electro. Despite the banner of diversity Toronto attempts to fly, it's a city heavily segregated by race and class — and carving out creative space also means navigating its downtown-centered scene as well as the statistically blacker and browner enclaves to the city’s east and west corners.

“I hate playing the game that way. The downtown scene bleeds mans dry,” Sydanie tells me. “There is content — and quality content, might I add — that's coming out of the west end, specifically from Jane and Finch. Black kids from the hood are always put into boxes and the creation of 999 has allowed me to step out of those boxes. It’s about marrying all parts of myself and representing my whole self to my hood.” (A few days after our conversation, she took to Twitter to start a thread highlighting artists from her neighborhood.)

Sydanie’s music is as self-aware as she is, equal parts round-the-way girl and zodiac sign-obsessed genre-bender. Shifting the soundscapes of a changing city means evolving authentically along with it, finding comfort in breakneck-paced growth while maintaining an unshakeable core. Sydanie, somehow, has mastered both. “I’m not going to go underground for eight months and then come out with a blonde wig and some big titties,” she tells me with a laugh. “ I just want to see how deep and how wide the complexity of my identity can reach as a young Black mom from Finch.”

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